Western Magic: Tamahnous Theatre and Savage God by Renate Usmiani (1983)
Fourteen Propositions about Theatre in British Columbia by Malcolm Page (1990)
Voice, Community, Culture, Responsibility and Visible Minority Playwrights: Visible Means of Support by R. A. Shiomi (1990)
From the Centre of the Circle the Story Emerges by Margo Kane (1991)
Drama in BC: A Special Place by Denis Johnston (1995)
Protest for a Better Future: South Asian Canadian Theatre's March to the Centre by Uma Parameswaran (1995)
George Ryga: The Poetics of Engagement by Don Rubin (1996)
Documenting Racism: Sharon Pollock's The Komagata Maru Incident by Sherrill Grace and Gabriele Helms (1998)
Caravan Farm Theatre: Orchestrated Anarchy and the Creative Process by Richard Bruce Kirkley (2000)
Panych and Gorling: "Sheer" Texts "Written" in(to) Perception by Reid Gilbert (2002)
Reconfiguring Home: Geopathology and Hereotopia in Margaret Hollingsworth's The House that Jack Built and It's Only Hot for Two Months in Kapuskasing by Marlene Moser (2002)
Performing History: The Reconstruction of Race and Gender in BC Drama by Richard J. Lane (2003)
Joan MacLeod and the Geography of the Imagination by Jerry Wasserman (2003)
Reigning Words: Black Playwrights in BC Theatre by Siobhan R. K. Barker (2004)
Marie Clements's Monstrous Visions by Jennifer Read (2004)
In This Moment: The Evolution of "Theatre for Living" by David Diamond (2004)
Political Theatre in a Small City: The Staging of the Laurier Memorial in Kamloops by James Hoffman (2005)
Going West: Queer Theatre in British Columbia by Peter Dickinson (2005)