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Collective Creation, Collaboration and Devising

Collective Creation, Collaboration and Devising

Table of contents


Collective Creation: Process, Politics and Poetics by Alan Filewod (1982)

The Meeting of Actuality and Theatricality in The Farm Show by Robert C. Nunn (1982)

from A Success Story: Theatre Passe-Muraille by Renate Usmiani (1983)

Company Town—The Story of Buchans by Chris Brookes (1988)

Towards an Understanding of Theatrical Difference by Robert Wallace (1988)

from Collective Creation: Its Background and Canadian Developments by Diane Bessai (1992)

Dilating the Body, Transporting the Mind: Considering Primus Theatre by Per Brask (1994)

Performing Emergency: Witnessing, Popular Theatre and The Lie of the Literal by Julie Salverson (1996)

from The Structures of Authenticity: Collective and Collaborative Creations by Ric Knowles (1999)

Carbone 14's Intelligent and Responsive Body by Erin Hurley (2002)

Creating the Form: Rule Plays and Svengali's by Paul Bettis (2004)

Enacting This is for You, Anna: Re-enacting the Collective Process by Shelley Scott (2005)

Mining "Turbulence": Authorship Through Direction in Physically-Based Devised Theatre by Bruce Barton (2006)

Towards a Poetics of Popular Theatre: Directing and Authorship in Community-Based Work by Edward Little (2006)

Chocolate Woman Dreams the Milky Way by Monique Mojica (2006/07)

from The Theatre of Urban: Youth and Schooling in Dangerous Times by Kathleen Gallagher (2007)

from Making Radium City: Annotations by Alex McLean and Robert Plowman by Alex McLean and Robert Plowman (2008)

Work With Your Hands by Ker Wells (2008)

Cultural Meeting in Collaborative Intercultural Theatre: Collision and Convergence in the Prague-Toronto-Manitoulin Theatre Project by Barry A. Freeman (2008)

The Social Impresario: capitalizing on the desire to be remembered for as long as it takes wood to rot by Darren O'Donnell (2008)

Cosmopolitan Time and Intercultural Collaborative Creation by Modupe Olaogun (2008)

The View Beyond the Stage: Collective, Collaborative and Site-Specific Performance in Vancouver by Jerry Wasserman (2008)

The Very Act by Yvette Nolan (2008)


Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada.