"Cause You're the Only One I Want:" The Anatomy of Love in the Plays of Judith Thompson by George Toles (1988)

Spatial Metaphor in the Plays of Judith Thompson by Robert C. Nunn (1989)

The Implicated Audience: Judith Thompson's Anti-Naturalism in The Crackwalker, White Biting Dog, I Am Yours, and Lion in the Streets by Julie Adam (1992)

Constructing Fictions of an Essential Reality, or "This Pickshur is Niiiice": Judith Thompson's Lion in the Streets by Jen Harvie (1992)

Going North on Judith Thompson's Sled by Sherrill Grace (1998)

from "Judith Thompson: Social Psychomachia" in The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition by Craig Stewart Walker (2001)

Judith Thompson's Ghosts: The Revenants That Haunt the Plays by Claudia Barnett (2003)

Monstrous History: Judith Thompson's Sled by Penny Farfan (2004)

Staging the Post-Colonial Monster in Judith Thompson's Capture Me by Dalbir Singh (2004)

Who is the Stranger?: The Role of the Monstrous in Judith Thompson's Capture Me by Robyn Read (2005)

Environmental Affinities: Naturalism and the Porous Body by Laura Levin (2005)

Building an Ethical Architecture: Judith Thompson's Habitat and the Shape of Radical Humanism by Kim Solga (2005)