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Indigenous Playwrights

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Too Good to be True

From the acclaimed author of Huff & Stitch comes a new dark comedy about the lies we tell each other in order to make the best of a desperate situation.

Maria and her kids—Lisa, a pregnant teenager, ...

Refractions: Scenes

Refractions: Scenes is a collection of scenes from diverse contemporary works by Canadian playwrights that reflect the country’s artistic landscape through a breadth of themes, styles, cultures, regions, ...

Bears

As the prime suspect in a workplace accident, Floyd has to get out of town fast. Pursued by the RCMP, he heads through the Rockies for Burnaby, BC, along the route of the Trans Mountain Pipeline. By the ...

Th'owxiya

When you take something from the earth you must always give something back.

From the Kwantlen First Nation village of Squa’lets comes the tale of Th’owxiya, an old and powerful spirit that inhabits ...

Indian Act

Indian Act is a tribute and thank you to those who survived the Indian Residential School system so that future generations could be free to pursue their lives unhindered by educationally enforced lowered ...

In Spirit

Twelve-year-old Molly was riding her new bicycle on a deserted road when a man in a truck pulled up next to her, saying he was lost. He asked if she could get in and help him back to the highway, and ...

This Is How We Got Here

Simultaneously heartbreaking and heartwarming, This is How We Got Here follows a close-knit family as they deal with an unexpected loss. A mother, father, aunt, and uncle must learn how to move forward ...

Huff & Stitch

In huff, brothers Wind, Huff, and Charles are trying to cope with their father’s abusive whims and their mother’s recent suicide. In a brutal reality of death and addiction, they huff gas and pull ...

Performing Indigeneity

This volume of newly commissioned essays about Indigenous performance is the first in which all of the contributors are Indigenous artists or academics. Scholars were invited to write essays on some aspect ...

Medicine Shows

Contemporary Indigenous theatre in Canada is only thirty-three years old, if one begins counting from the premiere of Maria Campbell’s Jessica in Saskatoon and the establishment of Native Earth Performing ...