"A cozy, effective little chiller. ..Coolly imparts insights about the transmission of evil in a globalized world, where actions a continent away can spread their malign influence to the suburb next door. "

- New York Times on The Piano Teacher

"A finely wrought drama. "

- Los Angeles Times on Durango

"Cho displays a balance and compassion that's Chekhovian. .. a writer at the top of her game. "

- Village Voice on Durango

"A very stimulating new play. ..preoccupied with matters of linguistics and, more specifically, about how we all take a leap of faith every time we open our mouths. ..Haunting. "

- Chicago Tribune on The Language Archive

". ..a strength of Cho's writing is her empathy for those who stumble toward and slip away from intimacies they desperately covet - but aren't equipped to handle. "

- Seattle Times

"Delivers a moving meditation on love, loss, and the emotional power of food. Anyone who’s ever shared a quiet late-night meal with a loved one, especially one who’s no longer here, will find much to relate to. "

- Hollywood Reporter on Aubergine

"Undeniably topical…Cho is curious about the intersection of private and public selves, the way psychology and culture mutually express each other. This is a small play, but before you realize it, its rippling current has taken you far from the safety of shore. "

- Los Angeles Times on Office Hour

"Cho is fast establishing herself as a chronicler of small tragedies. .. she is not a sleight of hand artist but a craftsman. "

- Backstage on The Piano Teacher

"Cho's playwriting style. .. lures us into caring about characters who never fail to surprise us with their simple humanity. "

- Los Angeles Times on Aubergine