Putting the Qs in Q2Q by Peter Dickinson, C.E. Gatchalian, Kathleen Oliver, and Dalbir Singh
No Blood on the Sheets: Lesbian History and Identity in the Life and Theatre of Amy Redpath Roddick by Kym Bird
The Queer Future That Dared Not Be Imagined: Aging and “Post- AIDS” Theatre by Dirk Gindt
Passing the Torch Song: Mothers, Daughters, and Chosen Families in the Canadian Drag Community by Cameron Crookston
Constituting Community: The Gay Heritage Project, Body Politic, and the Performative Power of Theatre by Stephen Low
Scrambling SCUM by Moynan King
Queer Insularity: On Québec, Webseries, and Performances of Community by Sean Metzger
Performing Your Fictional Identity: The True Imaginary by Sky Gilbert
Homesteading a New Queer Frontier: Queering Performance and Cultivating Community from Outside the Centre by Richie Wilcox and Jay Whitehead
Unsettling the Frontier Fable by Jean O’Hara
Queer Youth and the Cultural Politics of Failure in the Work of Jordan Tannahill by Cordula Quint
Queering Genre and Tragic Communitas in Minh Ly’s Ga Ting (Family) by Eury Colin Chang
Re: Form: (An Informal Set List Of Considerations) by Evalyn Parry
Proudly Welcoming: Is Diversity in the Queer Theatre Community by Invitation Only? by Laine Zisman Newman
2-Spirit or Not to Spirit? . . . It’s Not Even a Question by Ryan Cunningham
Divisions Within: Staging Internecine Conflicts Between Gay Subcultures by T. Berto
Productive Contrary: Counterperformative Resistance of the Queered-Queer, the Othered-Other by Spy Dénommé- Welch
Queer Redo by Sarah Garton Stanley