"Cause You're the Only One I Want:" The Anatomy of Love in the Plays of Judith Thompson by George Toles (1988)
Spatial Metaphor in the Plays of Judith Thompson by Robert C. Nunn (1989)
The Implicated Audience: Judith Thompson's Anti-Naturalism in The Crackwalker, White Biting Dog, I Am Yours, and Lion in the Streets by Julie Adam (1992)
Constructing Fictions of an Essential Reality, or "This Pickshur is Niiiice": Judith Thompson's Lion in the Streets by Jen Harvie (1992)
Going North on Judith Thompson's Sled by Sherrill Grace (1998)
from "Judith Thompson: Social Psychomachia" in The Buried Astrolabe: Canadian Dramatic Imagination and Western Tradition by Craig Stewart Walker (2001)
Judith Thompson's Ghosts: The Revenants That Haunt the Plays by Claudia Barnett (2003)
Monstrous History: Judith Thompson's Sled by Penny Farfan (2004)
Staging the Post-Colonial Monster in Judith Thompson's Capture Me by Dalbir Singh (2004)
Who is the Stranger?: The Role of the Monstrous in Judith Thompson's Capture Me by Robyn Read (2005)
Environmental Affinities: Naturalism and the Porous Body by Laura Levin (2005)
Building an Ethical Architecture: Judith Thompson's Habitat and the Shape of Radical Humanism by Kim Solga (2005)