Popular Political Theatre and Performance
volume seventeen in the “Critical Perspectives on Canadian Theatre in English” series
edited by Julie Salverson
This collection of new and
previously published writing presents a range of artists and scholars
grappling with questions about history, politics, and criticism in English
Canadian popular theatre. These essays provide a variety of voices and
approaches to creating politically engaged and aesthetically challenging
theatre that is provocative in content and responsive to the times in
which it is produced.
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