“Ethnic,” Multicultural, and Intercultural Theatre

volume fourteen in the “Critical Perspectives on Canadian Theatre in English” series

edited by Ric Knowles and Ingrid Mündel

“Audiences for intercultural theatre in our experience have become increasingly diverse in recent years, at productions by genuinely intercultural companies.… Productions no longer need appeal either to the traditional white middle-class audience of Canada’s so-called ‘main stages’ (including those of the former ‘alternative’ theatres) nor to communities narrowly defined by culture or interest—what used to be called ‘preaching to the converted…’”

—from the Introduction

by Ric Knowles and Ingrid Mu¨ndel

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