PLCN Titles

Environmental and Site-Specific Theatre

volume eight in the “Critical Perspectives on Canadian Theatre in English” series

edited by Andrew Houston

“In every site-specific or environmental theatre project, the artist must spend a lot of time walking around experiencing the site; trying to gain some insight into its inhabitants, its workings, its reality, but also trying to imagine how it might possess a life not yet realized. …a way of being-in-the-world and bringing to bear a social, political and historical consciousness upon our navigations through and experiences of lived space.”

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